She is a household name and a movie she stars in has 14 nominations at this year’s Kalasha International Awards. Nice Githinji talks about her character in Subira and what she has in store.
You grew up in Mombasa, was this one of the reasons why you chose to be in Subira ?
Oh my…no. I agreed to be part of it because of how beautiful the story is. It has tragic and dreamy moments that tug at your heartstrings. However, it was an added advantage that the film was going to be shot in Lamu.
None whatsoever. Unlike me, Mwana is someone who lets circumstances choose the direction of her life. She projects this on her daughter who also conforms, for the most part.
Mwana, Subira’s mother, is a very traditional lady who has known no other life but the one she’s accustomed to; that women are put on this earth to serve men and God. At the same time, she empathises with her daughter’s dreams because in the back of her mind she believes that she would have led a better life had she had the chance or the guts that Subira has.
The idea of playing a character from the Coast. I had to re-learn and brush up on my accent. I was also excited to work with Vibeke Muasya again after five years and curious to work with a new director, Sippy Chadha. I’d always heard of her and I knew about the short film so I looked forward to seeing how her mind interprets the script. In a nutshell, it brought challenges my way.
When Subira and Mwana are at the beach attempting to have a heart-to-heart; instead of being honest about their respective situations and feelings, they gave each other subtle glances and spoke in generalities.
The scene was hard for me because it was emotionally distressing being in Mwana’s shoes – trying to be strong for her daughter yet she too was broken inside. So much was unsaid in that scene, I hope the audience will get to see that.
I just wrapped up a TV sitcom for KTN Burudani that's coming at the end of October. I was proud to have been in the cast of Rafiki , considering it made Sh3.3 million in just a week. It also changed people’s lives, giving a voice to those who feel they have none.
We’re taking more risks when it comes to storytelling. We’re obviously done with “Aids” and “Slum” story lines, and the audience is receiving the new content with an open heart and mind. It started with the likes of House of Lungula , Kati Kati and Nairobi Half-life and now the new breed of Supa Modo and Rafiki shows the growth.
